Baillat Studio continued its collaboration with the International Digital Art Biennial (BIAN) and ELEKTRA. We created the design for the fourth edition of the Festival. Inspired by Walt Whitman’s poem “I Sing the Body Electric” (1855), this new edition featured a series of digital experiences and works questioning the augmented and hybrid body.
Baillat Studio focused its visual approach around a performative work, ΠTON by Codact.ch, which consisted of a sort of organic, rubber Möbius strip reacting to sound. We reinterpreted the images of this electronic invertebrate in a variety of situations: placed inside a plastic bag, perforated, and modified with colour and texture. A green, black and white colour palette distinguished the entire edition.
We also create immersive visual narratives and installations for brands and performers looking for new ways to inspire and invigorate their audiences. We help bring each client’s vision to life by designing otherworldly experiences that leave an indelible impression on the minds of viewers.
Experience ↗︎ ↗︎